14 May 2013, 14.00-18.00
Lewis Silkin offices, 5 Chancery Lane, Clifford's Inn, London, EC4A 1BL
Tracking and administrating music rights, both for mechanical and performance licences, is an established industry. However, with the increasing importance and proliferation of visual content, in particular video, across all digital channels and devices, do the current trademark and IP laws go far enough to protect a music artist's image from commercial exploitation while providing a new revenue stream?
Are there new opportunities, revenue streams and/or business models emerging from this?